Every filmmaker plans for camera rentals, locations, and food — but post-production costs often come as a shock. From sound to color grading to DCP creation for festivals, the hidden expenses of “finishing” your film can quickly blow your budget. Here’s what you should plan for — and how to save money without cutting quality.
Once filming wraps, post-production becomes a maze of technical and creative steps. These are often the costs filmmakers overlook:
Budget an extra 10–15% of your total production cost for post and delivery. That buffer often saves filmmakers from last-minute panic before festival submissions.
A Digital Cinema Package (DCP) is the standardized format required for theatrical projection. Most major festivals (Sundance, Tribeca, Cannes, TIFF) will not accept MP4s or ProRes files — they require a DCP. This step comes right when money’s tight and deadlines are near.
Learn what a DCP is and why festivals require it →
The price varies based on runtime, resolution, and whether encryption is needed. Here’s a rough breakdown:
These are standard industry averages, but new automated services like DCP Generator offer cloud-based DCP rendering for much less — with instant uploads and student discounts.
Every year, filmmakers miss festival deadlines not because of editing delays — but because their DCP wasn’t ready. Plan your DCP creation at least 7–10 days before your submission date so you have time to test and validate your file.
🎬 Ready to bring your film to the big screen? Upload your master file and get a festival-ready DCP in hours — without breaking your post-production budget.
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